ARTIST BIO
Nina Yankovic (2003) is an interdisciplinary artist with work spanning sculpture, drawing, and functional design. Her work uses light, organic and industrial forms, and soft mark making to examine themes of connection, the subconscious, and how environments affect us.
Yankovic recieved a Bachelor of Arts from Williams College, where she studied Studio Art and Environmental Studies and completed a concentration in Science and Technology Studies. She is currently based in New York City, where she works at the Noguchi Museum, on The ART CAREER Podcast, and on personal and freelance projects.
EXHIBITIONS
2026
Group Exhibition, Every Woman Biennial: Spectalia, Pen + Brush, New York, NY, March 8 — April 11
2025
Group Exhibition, Cin Cin! A Toast to Living, Flowing Space, New York, NY, November 12 — 23
Group Exhibition, With Warmth, Williams College Museum of Art, Williamstown, MA, May 16 — June 6
2024
Group Exhibition, Small Works 2024, Spencertown Academy, Spencertown, NY, November 16 — December 15
Group Exhibition, Color is a Substance, Wilde Gallery, Williamstown, MA, May 6 — 14
2022 — 2025
Group Exhibition, Big Art Show, Spencer Art Building, Williamstown, MA, End of Fall and Spring each year
2020
Group Exhibition, Scholastic Art & Writing Awards National Exhibition, Virtual, March — June
AWARDS
2024
Roche and Gomez Fellow, Awarded through Williams College
2020
National Gold Scholastic Award — Crescent
Regional Gold Scholastic Award — Crescent
Regional Gold Scholastic Award — Bowerbird
Regional Gold Scholastic Award — Rest
2019
Regional Silver Scholastic Award - Under Construction
Regional Silver Scholastic Award - Windows, 2019
PRESS
IMPULSE MAGAZINE
Editors’ Selects: November 2025, by Editorial Team. November 17, 2025.
Through cycles of the collecting and stewardship of intangible, nostalgic sensibilities, Yankovic constructs a closet that dubs as a lightbox from which soft, warm lights emanate behind ink drawings on mulberry paper. The piece is subtle and warm, foregrounding the show’s central intuition that links art objects to notions of companionship and memory.”